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"One of the most extreme forms of high–low exchange takes the form of engagement with Virgil’s Aeneid. Published three generations before the destruction of Pompeii and already consecrated as Rome’s national epic, this would seem to be the perfect example of a unified textual corpus. But, as Milnor shows, Virgil was almost instantly atomized into bite-sized snippets which permeated the popular consciousness and embarked on their own creative afterlife – just as “To be or not to be” did, or “The boy stood on the burning deck”. It would be nice to find something significant in the Pompeians’ choice of Virgilian lines (a few of them contain anti-Greek sentiment, for example)." Emily Gowers • TLS


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The Page is edited by John McAuliffe, Vincenz Serrano and, since September 2013, Evan Jones at the Centre for New Writing at the University of Manchester. It was founded in October 2004 by Andrew Johnston, who edited it until October 2009.
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