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"One of the last to go will be Chris Mannix, whose name might be seen to serve as a nod in the direction of “Chris” in The Magnificent Seven and a wink in the direction of Ben Hur: A tale of the Christ. As it turns out, some of the very lenses used to film the chariot race in Ben Hur were “refurbished” by Panavision to allow Tarantino and his cinematographer, Robert Richardson, to shoot the film in Ultra Panavision 70. It comes as no surprise, yet again, that we come to see the stagecoach less as a stagecoach than a chariot with a team of six, including big close-ups of horses’ hooves and heads that replicate shots in Ben Hur." Paul Muldoon • TLS


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The Page is edited by John McAuliffe, Vincenz Serrano and, since September 2013, Evan Jones at the Centre for New Writing at the University of Manchester. It was founded in October 2004 by Andrew Johnston, who edited it until October 2009.
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