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"She had studied with Alice Notley and Ted Berrigan, two of the most admired, most out-there poets of the countercultural New York literary scene. In a recent interview in the Guardian, Myles says of this time, “you just rolled in on Friday night with your beer and Alice Notley was teaching a workshop. You brought drugs.” She had worked as an assistant to James Schuyler, one of the original New York School poets. She may have come from a working-class family in Massachusetts, but if what impresses you are the avant-garde and renegade circles of New York City poetics, Myles’s pedigree is second to none." Arielle Greenberg • Poetry Foundation "It’s a charming enough poem; and, I would guess, it worked at what it was intended to do: lure this girl into bed. But that’s not why Myles reads it to Schuyler, or why she quotes herself reading it to Schuyler on the last pages of her autobiographical novel. The poem is homage, only deepened by its ostensible cruelty to the old iceberg in the chair, his “boozy wrinkles” revealing a lifetime of experience. It is written in Schuyler’s ribbon-like short lines, haltingly enjambed; it reminds me especially of Schuyler’s heartbreaking poem, for me his greatest: “This Dark Apartment.”" Dan Chiasson • NYRB

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The Page is edited by John McAuliffe, Vincenz Serrano and, since September 2013, Evan Jones at the Centre for New Writing at the University of Manchester. It was founded in October 2004 by Andrew Johnston, who edited it until October 2009.
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