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"Brodsky’s relationship with the Empire was significantly more complex and multifaceted than dictated by the iconic Russian formula of the Poet and Power. In Brodsky’s case, this meant using the word to overcome the word. It was the overriding of communal words, catchphrases which had been depreciated and prostituted, by words that were personal, metabolic, and cryptic. Brodsky’s individual style seemed externally to accept the imperial, totalitarian format, and his verse is quite traditional in form, but he bursts it open from the inside." Hamid Ismailov, tr, Shelley Fairweather-Vega • Critical Flame


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The Page is edited by John McAuliffe, Vincenz Serrano and, since September 2013, Evan Jones at the Centre for New Writing at the University of Manchester. It was founded in October 2004 by Andrew Johnston, who edited it until October 2009.
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