The Page
poetry, essays, ideas
"A poem that works as a conceptualisation of the ‘mystic writing pad’, that performs the same tasks of text framed and text erased is more of interest and activist relevance. I want to start working more with the mechanisms of ‘memory’. Freud writes in ‘A Note upon the ‘Mystic Writing Pad’ (1925 – I think it’s the Strachey translation: check): ‘The sheet is filled with writing, there is no room on it for any more notes, and I find myself obliged to bring another sheet into use, that has not been written on. Moreover, the advantage of this procedure, the fact that it provides a ‘permanent trace,’ may lose its value for me if after a time the note ceases to interest me and I no longer want to ‘retain it in my memory.’ I will not give this text the pleasure of the future of data, of the screen, of personal computing. Too many lies and exploitations of ‘nature’ and people in that (those mines, those mines … those previous metals … the destruction of entire eco-systems so we can have depth behind our screens, can call up memory as data, can hypertext our way into alternative truths, alternative geographies and ecologies …)." John Kinsella • Cordite

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Simon Armitage New Statesman

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The Page aims to gather links to some of the Web's most interesting writing.

Reader suggestions for links, and other comments, are always welcome; send them to ät hotmail dõt com

The Page is edited by John McAuliffe, Vincenz Serrano and, since September 2013, Evan Jones at the Centre for New Writing at the University of Manchester. It was founded in October 2004 by Andrew Johnston, who edited it until October 2009.
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