The Page
poetry, essays, ideas
"I wonder how much Smith dwells on how they’ve been received, whether by the black boys and queer communities they speak to and for or by the nation they call out in 'dear white america'–a 2014 recording of that poem, produced by the Minneapolis-based performance-poetry organization Button Poetry, is Smith’s most watched performance, with over three hundred thousand views. In the United Kingdom, for instance, Smith has been framed, alternatively, as instructively representative or startlingly exceptional, as a symptom of the United States’ 'insatiable gun battle with itself' or a 'YouTube star.' Incessantly, tiresomely, readers in both countries have pitted performance poetry (where Smith got their start) against page-bound poetry (where they’re currently thriving). There are, to be sure, plenty of actual differences between performance and the page—plenty to say about technique and embodiment, about demographics and cultural recognition (you are not reading the Yale Review of YouTube Videos)–but all too often those differences are elided in favor of coded evaluations about class, race, gender, and sexuality, or of supposedly self-evident judgments about what could (or could never) deserve to be termed 'poetic,' 'artistic,' 'intellectual.'" Christopher Spaide • Yale Review


New poems




Previous archives:

2005

2004

Powered by Blogger

The Page aims to gather links to some of the Web's most interesting writing.

Reader suggestions for links, and other comments, are always welcome; send them to thepage.name ät hotmail dõt com

The Page is edited by John McAuliffe, Vincenz Serrano and, since September 2013, Evan Jones at the Centre for New Writing at the University of Manchester. It was founded in October 2004 by Andrew Johnston, who edited it until October 2009.
eXTReMe Tracker